EDUCATION
2004 PhD. University of the West of England, Bristol, UK
1997 Master of Fine Arts. Printmaking. University of Maryland at College Park, USA
1991 Bachelor of Fine Arts. Major: Printmaking, National University of Cordoba, Argentina
SOLO EXHIBITIONS/ INSTALLATIONS/ INTERVENTIONS
2022 Quitapenas. IMPACT 12 International Print Conference, Centre for Print Research, Bristol, UK.
2020 Transplant: The Afterlife of a Print ( Collaborative Project) MET Gallery, Budapest, Hungary. (Catalogue).
2019 The Desert Inside. Bonfiglioli Fine Arts Museum. Villa Maria, Córdoba, Argentina. (Catalogue).
2018 The Desert Inside. Emilio Caraffa Fine Arts Museum. Cordoba, Argentina. (Catalogue).
2016 Fragile Fragments. Prints Gallery. St John’s University, New York.
2015 The Perfume of Absence. Five Points Gallery. Torrington, CT
2014 Solitary Objects, Collaborative Making. Bower Ashton Gallery, UWE, Bristol, UK
Solitaire: Solo Project. Wadi Rum Desert, Jordan.
Quitapenas. Arten Gallery/International MegaPixel Print Festival. Budapest, Hungary.
2013 El Perfume de la Ausencia. Retrospective exhibition. Genaro Perez Museum, Córdoba, Argentina 2012
New Heaven. Retrospective exhibition. Seton Gallery, University of New Haven. USA
2009 Betweening (The Desert Inside). Makan Cultural Center. Amman, Jordan
2006 La Posta (El Desierto Adentro). Ricardo Rojas Cultural Centre, Buenos Aires, Argentina
The Translation of a Wound. Makan Cultual Center. Amman, Jordan.
2005 The Perfume of Absence. Luz Osorio Gallery, London, England
2003 When Beauty Falls Asleep in Their Eyes. Kunstihoone Gallery. Tallinn, Estonia
2002 ID- Intensively Displaced- Urban Festival of Zagreb, Croatia
2001 Private Rains. St. Peter’s Heritage Centre, London, England
The Perfume of Absence. Kennington Underground, Vauxhall Art Festival, London.
2000 Silence between Hands. Genaro Perez Museum, Córdoba, Argentina
1999 Strategies of Departure. Art Gallery, University of Maryland at College Park, USA
1998 Definition of Night: Arlington Arts Center, Arlington, VA, USA
1996 De Almas Unicornias. José Malanca Fine Arts Museum. Córdoba, Argentina
Gestando un Otoño Digital. Recoleta Cultural Center.Buenos Aires, Argentina
1994 El Último Invierno en los Jardines de Sir Rain. José Malanca Fine Arts Museum, Cordoba, Argentina
La Extremidad de la Lluvia. Recoleta Cultural Center, Buenos Aires, Argentina
1992 Después del Agua, Rinoceronte de Sal. Entrelíneas Art Gallery. Córdoba, Argentina
Grabados. Artes y Libros Art Gallery. Córdoba, Argentina
1991 Acotaciones Anfibias al Margen de estos Tiempos. CIDAM Art Gallery. Córdoba, Argentina
Pululan Ángeles Urbanos y Anfibios Suicidas. Royal Theatre Gallery. Córdoba, Argentina
1989 Totem a los Chicos Aburridos. International Exhibition Center. Córdoba, Argentina
Proyecto de Juguetes Rabiosos para Exiliados de Infancias, College of Architects Art Gallery, Argentina
Destrazar Historias. Goethe Institut. Córdoba, Argentina
SELECTED GROUP EXHIBITIONS
The World is a Handkerchief : The World in a Handkerchief. Coral Gables Museum, USA. (Catalogue), January 2023
Quitapenas : La Visibilidad es una trampa. Usina Cultural. Villa Maria, Cordoba, Argentina
The Mountains are Calling... Artists' Books Gallery, UWE / LAND2 Symposium. Bristol, UK. March- April 2023
Progetto BAU. Paola Raffo Arte Contemporanea. Pietrasanta, Italy. September 2022
IMPACT 2022: Art that Bears Witness. Bethany Arts, New York. May-June, 2022.
The World is a Handkerchief. Sala Poliglota. Proyecto 'ace, Buenos Aires, Argentina. (Catalogue), March-April 2022
International Digital Printmaking Exhibition. Central Academy of Fine Arts, China.(Catalogue) September 2021
Digital Agora. 3rd International Digital Art Triennale. Skekszard Museum, Hungary.( Catalogue), 2021
The World is a Handkerchief. Blackburn 20|20. Elizabeth Foundation for the Arts, New York City.(Catalogue), 2020
Resemblance through Contact : The Grammar of the Imprint. Tartu Art House | Estonian Academy of Arts, Tallinn, 2020
Healing and Community: Physical to Virtual. NoMAA. New York City. (Catalogue), 2020
Poetics of Otherness. Pratt Institute. Higgins Hall, Brooklyn, New York, October 5-7 , 2019
The World is a Handkerchief. London Print Studio Gallery. London, UK (Catalogue), 2019
Derivas gráficas. Galería Francisco Vidal. Casa de Córdoba. Buenos Aires, Argentina (Catalogue), 2018
La extrañeza de los fragmentos. Museo Fernando Bonfiglioli. Villa Maria, Argentina, 2018
De Femíneo. Galería Octubre. Jaime I University, Castelló de la Plana, Spain (Catalogue), 2018
Bound to Bristol. F Block Gallery, Bower Ashton Campus, UWE Bristol, UK, 2018
Alien Nations. Lehman College Art Gallery, New York, 2017
Matrices, Digital Print Biennale, Budapest, Hungary. (Catalogue) 2017
Facing History: Contemporary Portraiture. Victoria &Albert Museum, London, UK. 2015
Global Draw Project. Online and Traveling Project. Limburg, Belgium, 2015
1515 Rhinoceros 2015. Instituto de Artes da Universidade Federal do Rio Grande do Sul Porto Alegre, Brazil, 2015
International Digital Art Triennial. Szekzard, Hungary, 2015
Tracing my Echo. Traveling Project and Publication. London/ Taipei, 2015
Festival de la Luz. Buenos Aires, Argentina. 2014
Nines. Canem Art Gallery. Castello de la Plana, Spain, 2013
Collaborative Printmaking. Hong Kong Graphic Art Fiesta, Hong Kong Heritage Museum (Catalogue) 2013
International Douro Print Biennale. Douro. Portugal (Catalogue), 2010-12
Matrices. International Print Biennale. Digital Art Association. Budapest. Hungary (Catalogue) 2010-12
La originalidad en la cultura de la copia. .Chiayi Cultural and Creative Industries. Taiwan.( Catalogue), 2012
Toys and Games with a Twist. Longwood Art Gallery. Bronx Council for the Arts, New York, 2011
Gyor International Biennial of Drawing and Graphic Art, Gyor, Hungary (Catalogue) 2009, 2007 & 2005 1989-2009
El Rojas: 20 years of Visual Arts. Ricardo Rojas Cultural Center, Buenos Aires, Argentina, 2009
Episodes & Itineraries II. Latin American Biennial of Graphic Arts. Quito, Ecuador (Catalogue), 2008
S-Files Biennale of Latin American Art. El Museo del Barrio. New York, USA. (Catalogue), 2007
Markers VI. Divine In. Tent. Venice, Kassel, New York City. (Catalogue), 2007
Women of the World. Traveling Exhibition. City Hall Gallery, Amman, Jordan, 2007 (Catalogue)
International Print Exhibition. Mahatma Ghandi Institute, Moka, Mauritius, 2006
Prints Now: Directions & Definitions. Victoria &Albert Museum, London, UK . (Catalogue), 2006
La Huella Multiple. International Print Exhibition. Habana Biennale, Cuba. (Catalogue), 2006
II Olot Digital Print International Exhibition, Olot, Spain. (CD Catalogue), 2006
International Triennial of Graphic Art, Bitola, Macedonia (Catalogue), 2006
13th International Print Biennial, Varna, Bulgaria. (Catalogue), 2005
Kala Art Institute: Thirty Something. Museum of Modern Art Gallery, San Francisco, 2005
Perpetual Portfolio. National Museum of Printmaking. Buenos Aires, Argentina (Catalogue), 2005
Clever Box. Royal West of England Academy, Bristol, UK, 2005
Real Beauty. Contemporary Art Center. New Orleans (Catalogue), 2005
XIII Tallinn Print Triennial: In-Exile. Rotermann Salt Storage Arts Centre. Estonia. (Catalogue), 2004
Draw_Drawing. London Biennale. Gallery 32, London, England, 2004
Home with No Walls. The World Social Forum, Bombay, India, 2004
Premio La Joven Estampa. Instituto de Cultura Puertorriqueña. San Juan, Puerto Rico. (Catalogue), 2004
New Directions in Print: The Borderless State. City Museum of Art, Racokzi, Hungary. (Catalogue), 2004
Wandering Library. Museo Ebraico. Exhibition at Venice Biennale, Italy. (Catalogue), 2003
4th International Graphic Triennial. Bitola Museum and Gallery, Macedonia. (Catalogue), 2003
International Print Biennial, Varna, Bulgaria. (Catalogue), 2003
VII International Biennial of Graphic Arts, City Museum of Art, Gyor, Hungary. (Catalogue), 2003
III Olot Digital Print International Exhibition. Spain/ Häsinglands Museum, Sweden. (Catalogue), 2003
XI Biennale Internationale de la Gravure et des Nouvelles Images. Sarcelles - Val de France. (Catalogue), 2003
Premio La Joven Estampa. Casa de las Américas, Havana, Cuba. (Catalogue), 2003
International Print Biennial in Beijing. Yan Huang Art Gallery, Beijing, China. (Catalogue) 2003
4th Egyptian International Print Triennial, Gizah, Egypt. (Catalogue), 2003
Item-Grafica Digital. National Museum of Printmaking. Buenos Aires, Argentina, 2003.
Frans Masereel Centrum Jubilee Exhibition, Frans Masereel Centrum Gallery, Kasterlee, Belgium, 2003
IMPACT Print Conference. Fine Art Department. University of Cape Town, South Africa, 2003
Entre el Gesto y la Repetición. Centro de Estudos Brasileros. Buenos Aires, Argentina. (Catalogue), 2003
Bonifacio del Carril Printmaking Award. Eduardo Sivori Museum. Buenos Aires, Argentina, 2002
Iowa Miniprint International. University of Iowa Fine Arts Museum of Art. (Catalogue), 2002
Kala Art Institute. Fellowship Artists Exhibition. Kala Art Gallery, Berkeley, CA, USA, 2002
XV Maximo Ramos Printmaking Award. Ferrol, Spain. (Catalogue), 2001
10th Drawing and Print Biennial. Taipei Fine Arts Museum, Taiwan. (Catalogue), 2001
IV International Biennial of Photography: XIV Gaudí Medal. Reus, Spain. (Catalogue), 2001
9th International Photographic Art Exhibition. Beijing, China. (Catalogue),2001
Travelers’ Tales- Mail Art Project. The Space@inIVA. London, England, 2001
Gasworks: Visiting Artists Exhibition. Gasworks, London, England,2001
ABC Trilingüe: International Printmaking Exhibition. Genaro Pérez Museum. Cordoba, Argentina /Atelier Piratininga Art Gallery, Sao Paulo, Brazil/ Presse Papier, Montreal Canada/ Galeria Habana, Cuba, 2001
A Survey of Photomechanical Prints. CADE. Glasgow School of Art, Scotland, 2001
12th Tallinn Print Triennial. Tallinn, Estonia. (Catalogue), 2000
I Bienal Arte Objeto. José Luis Cuevas Museum. Mexico City, Mexico., 2000
Women of the World. White Columns. New York, USA . Traveling Exhibition. (Catalogue), 2000
Strategies of Departure. Ludwig Foundation. Havana, Cuba, 2000.
Digital Art Prodaltec Award. National Museum of Fine Arts. Buenos Aires, Argentina, 2000
Argentine Biennial of Graphic Art. Distefano Art Gallery. Buenos Aires, Argentin, 2000
Mercosur Printmaking Biennial. ArteBA. Buenos Aires, Argentina, 2000
International Shoebox Sculpture Exhibition. University of Hawaii Art Gallery. (Catalogue), 2000
Fast Forward. Corcoran Gallery of Art. Washington, DC, USA. (Catalogue), 1999
SIART’99. International Art Exhibition. National Museum of Fine Art. La Paz, Bolivia. (Catalogue), 1999
23rd International Biennial of Graphic Art. Jakopic Gallery. Ljubljana, Slovenia. (Catalogue), 1999
National Exhibition of Printmaking and Drawing. Museum of Fine Arts. Salta, Argentina, 1999
11th Tallinn Print Triennial. Tallinn, Estonia. (Catalogue), 1998
XII San Juan Biennial of Latin American and Caribbean Printmaking. San Juan, Puerto Rico. (Catalogue), 1998
Critics’ Residency Program. Maryland Art Place. Baltimore, MD, USA. (Catalogue),1998
Digital Print Award. Croydon Clocktower Museum. London, England,1998
ArtSites98. WPA/Corcoran. Washington DC, USA. (Catalogue),1998
A Swingin’ Affair. Corcoran Gallery of Art. Washington DC, USA. (Catalogue), 1998
Multiple Hemispheres: Printmaking Touring Exhibition. Argentina/USA. (Catalogue), 1998
International Independent Exhibition of Prints in Kanagawa, Japan. (Catalogue), 1997
The Folio Society Golden Jubilee Illustration Competition. Royal College of Art. London, England, 1997.
3rd British International Miniature Print Exhibition. Off-Centre Gallery. Bristol, England. (Catalogue), 1997
10th Seoul International Print Biennial. Ill Min Cultural Center. Seoul, Korea. (Catalogue), 1996
Hanging Roots: Six Women from the Americas. Rogue Art Gallery. Victoria, Canada. (Catalogue), 1996
Rojo sobre Rojo. Center for Contemporary Art. Cordoba, Argentina. (Catalogue), 1995
ArteBA. Annual Contemporary Art Fair. Recoleta Cultural Center. Buenos Aires, Argentina, 1995
29th National Exhibition of Printmaking and Drawing. Palais de Glace. Buenos Aires, Argentina, 1995
Ward Award Exhibition: National Exhibition of Printmaking. Buenos Aires, Argentina, 1994
National Exhibition of Woodcut. Recoleta Cultural Center. Buenos Aires, Argentina, 1994
Braque Printmaking Award. Recoleta Cultural Center. Buenos Aires, Argentina, 1992
27th National Exhibition of Printmaking and Drawing. Palais de Glace. Buenos Aires, Argentina, 1992.
GRANTS, AWARDS AND FELLOWSHIPS
2023 Institute of Electronic Arts Residency Award. Alfred University, NY, USA
2019-20 Centre for Fine Print Research. Artist Fellowship. Bristol UK
2015 MET Merit Award. International Digital Art Triennial, Szekszard, Hungary
2014 Faculty Excellence Award in Research & Creative Activity, University of New Haven, USA
2013-14 Centre for Fine Print Research Fellowship. University of the West of England, Bristol, UK
2012 Exhibition Award. Matrices International Print Biennale. Budapest. Hungary
2009 Research Travel Grant. University of New Haven, College of Arts & Sciences.
2007 Travel Grant. Women of the World Exhibition in Amman, Jordan.
2006 Commission for Public Intervention. Ricardo Rojas Cultural Center. Buenos Aires, Argentina
Diploma of Honor. International Triennial of Graphic Art, Bitola, Macedonia
2000-04 Centre for Fine Print Research Fellowship. University of the West of England, Bristol, UK
2003 City Museum of Art Acquisition Award. VII International Biennial of Graphic Art. Gyor, Hungary
Travel Grant: Exhibition and Residency in Tallinn, Estonia
2002 Kala Art Institute Fellowship. Berkeley, CA, USA.
MPI02 Award. Iowa Miniprint International, University of Iowa Fine Arts Museum, USA.
Travel Grant for participating in the Zagreb Urban Festival, Croatia.
2001 XV Maximo Ramos Print Award. Ferrol, Spain.
Vauxhall Art Festival Commission for Installation. London, UK.
2000 Ludwig Foundation of Cuba Fellowship. Havana, Cuba
1999 The Creative Database Artist Development Grant, USA.
1997 David C. Driskell Award of Excellence, University of Maryland, College Park, MD, USA.
1995-96 University of Maryland Graduate School Fellowship. College Park, MD, USA.
1996-97 University of Maryland Graduate School Teaching Assistantship. College Park, MD, USA. 1996
Honorable Mention, Sixth Annual Exhibition, Maryland Federation of Art, Annapolis, USA. 1995
Travel Grant. Arte BA Foundation. Buenos Aires, Argentina.
1993 Honorable Mention for Printmaking, Libero Pierini Fine Arts Museum, Rio Cuarto, Argentina.
Honorable Mention for Printmaking, National Miniprint Exhibition, Cordoba, Argentina. 1992
National University of Cordoba Award, Summa Cum Laude.
1991 3D Object Award. CIDAM Biennial, Cordoba, Argentina.
Sculpture Award. Fernando Bonfiglioli Fine Arts Museum, Villa Maria, Argentina.
Honorable Mention for Painting, Guernica Art Gallery, Cordoba, Argentina.
1990 Painting Award. Fernando Bonfiglioli Fine Arts Museum, Villa Maria, Argentina.
PUBLIC COLLECTIONS
Victoria & Albert Museum, London, England
Museum of Latin American Art, Long Beach, California, USA
Pinacoteca Instituto de Artes da Universidade Federal do Rio Grande do Sul Porto Alegre, Brasil Colección Arte de Nuestra América, Casa de las Americas, Havana, Cuba
City Museum of Art, Gyor, Hungary Ayuntamiento de Ferrol, Spain
Fototeca del Museu Comarcal Salvador Vilaseca de Reus, Spain Kala Art Institute, Berkeley, CA, USA
St. Peter’s Heritage Centre, London, England
Fundación Ludwig de Cuba, Havana, Cuba
Royal Museum of Fine Arts, Antwerp, Belgium
Frans Masereel Center, Kasterlee, Belgium
Instituto de Cultura Puertoriqueña, San Juan, Puerto Rico
Kanagawa Prefectural Gallery, Kanagawa, Japan
Museo de Bellas Artes Fernando Bonfliglioli, Cordoba, Argentina
DEXA Art Galley, University of Panama, Panama
Escola Recanto, Sao Paulo, Brazil
Centro Nacional de Grabado, Santiago, Chile
Archive of Hungarian Electrographic Art Association, Budapest, Hungary
Private collections in Argentina, Chile, Cuba, USA, England, Saudi Arabia, Jordan and Croatia.
ARTIST RESIDENCIES
2023 Emily Harvey Foundation. Venice, Italy
Centre for Print Research. University of the West of England, Bristol, UK.
Institute of Electronic Arts, Alfred University, NY, USA
2019|20 Centre for Print Research. University of the West of England, Bristol, UK.
2013|14 Centre for Fine Print Research. University of the West of England, Bristol, UK.
2009 Makan-Bait International Residency Program. Amman, Jordan
Zona Imaginaria. National Endowment for the Arts, Buenos Aires, Argentina
2003 Estonian Artists’ Association. Tallinn, Estonia
2002 Kala Art Institute, Berkeley, CA.
2001 Frans Maseerel Graphic Center, Kasterlee, Belgium
Gasworks Studios, Triangle Art Trust, London, England
2000 Ludwig Foundation, Havana, Cuba
1998 Critics’ Residency Program. Maryland Art Place. Baltimore, USA
1996 Designer Internship. Education Department, Organization of American States, Washington DC
Artist Internship. Pyramid Atlantic, Center of Printmaking and Artist’ Book, Maryland, USA.
BIBLIOGRAPHY
Bordács, Andrea. “Transzplantáció”. Új Művészet contemporary art magazine, Budapest. Hungary. January 20, 2021
Pablos, Gustavo. “Cecilia Mandrile : Las Muñecas Nómades”. Interview. Barbaria, August, 2020
Arrascaeta, German. “Transplant: Cecilia Mandrile le da batalla al aislamiento”. La Voz del Interior, August 11, 2020
Parraman, Carinna. “The Desert Inside: Cecilia Mandrile” Printmaking Today, Summer 2018
Saunders , Gill. "Lasting Impressions?: A Museum Perspective on digital fine art printmaking." Perspective on Contemporary Printmaking. Manchester University Press, Manchester, UK 2018.
Orosz, Demian. “Cecilia Mandrile: Vueltas por el universo: El viaje existencial de una artista migrante”. La Voz del Interior. May 13, 2018
Wielikosielek, Ivan. “Cecilia Mandrile o el arte de darle una segunda vida a los objetos” El Puntal, March 25th, 2018
Gras, Eric. “Un art sense límits com a empremta identitària” El Periódico Mediterráneo, February 25, 2018
Herndon, Lisa. “Seeking the threads that tie us together in a world of separation”. The Riverdale Press, March 23rd, 2017
Jones, Jonathan. “Facing History: Ideal Show for a selfie-obsessed World.” The Guardian. July 25th, 2015 Saunders, Gill. “Travelling Light”. Solitaire, Impact Press, Bristol, UK, 2015
El Khalidi, Ola “Who Am I To Judge?”. OneOther/UnOtro. Impact Press, Bristol UK, 2015
Khawaldeh, Ayatollah “Argentine artist Cecilia Mandrile restore a dialogue between portable objects and found places” Al-Quds Newspaper. July 13th, 2015
Sárosdy, Judit. TÖRÉKENY TÖREDÉKEK” (Fragile Fragments). Catalogue. International MegaPixel Print Festival. Budapest, Hungary, 2014
Saunders, Gill and Federico Falco, Elvis Fuentes, Yuneikis Villalonga, Ibrahim Nasrallah, Cecilia Mandrile: El Perfume de la Ausencia/ The Perfume of Absence. Bilingual monograph publication. Museo Genaro Perez, Córdoba, Argentina, 2013
Molas, Verónica, “La Herida Constante” La Voz del Interior, June 29th, 2013
Marchiaro, Pancho. “Museo Municipal Genaro Pérez, Córdoba” Arte al Dia #143, July-September 2013 Minguez Garcia, Hortensia. Gráfica contemporánea: del elogio de la materia a la gráfica intangible. Universidad Autónoma de Ciudad Juárez, Ciudad Juarez, Mexico, 2013
Candiani, Alicia. Anodos de Sacrificio. Anodo – Catodo. Universidad de Vigo, Pontevedra, Spain 2013 Fuentes, Elvis and Yuneikis Villalonga. “New Heaven”. Exhibition catalogue, Seton Art Gallery, University of New Haven, 2012
Serrano, Catherine. “Uncovering EL Museo’s Bienal: (S) Files 007” NYRemezcla. No 25. New York, July 2007
Williams, Wendy. “The (S) Files” Arts, New York Cool. New York, August, 2007
Miles, Rosie and Gill Saunders, Prints Now: Directions & Definitions. V&A Publications, London 2006 Nasrallah, Ibrahim. ‘The Translation of a Wound’. Exhibition catalogue, Makan Gallery, 2006 Nasrallah, Ibrahim. ‘Eyes closed as wide as their dreams’. Al Ayyam. October 9th, 2006. No. 6422
Al Jarrah, Rasmi. ‘Mandrile’s images at Makan: Visual Captions of Travel Stations’. Al Rai. July 20th, 2006
Al Ali, Nawal. ‘Cecilia Mandrile’ The Translation of Wound at Makan Gallery’. AlGhad. July 20th, 2006 Al Masoudi, Muhyee. ‘…Mandrile at Makan Gallery’. Al Deyar, Culture and Arts. July 18th, 2006
Al Ali, Nawal. Interview. AlGhad. July 27th, 2006
Thirkell, Paul, “The Borderless State”. New Directions in Prints, Catalogue, 2004
Harm, Anders, “Jättes ϋtlemata” (Things not said), Eesti Ekspress, October 23, 2003 Fuentes, Elvis, “Handywomen,” Catalogue, October 2003
Naqvi, Azra, “Lingering Perfume of Absence” Saudi Gazette, January 11, 2003
Pasha, Rafiq, “ Dolls and portable objects as art” Saudi Gazette, January 13, 2003 Parraman, Carina. “20:20. A Documentation of Artists making Prints” CFPR, UWE 2003 Candiani, Alicia, “Displacement, hybridization, and globalization,” Grapheion 17, 2002
Westbrook, Lindsey, ”Printmaking layer by layer,” East Bay Express, July 17-23, 2002 Vid Jerej, Pise, “Success of the Festival First Shift,” Jutarnji list, July 20, 2002
Bilic, A., “Inhabitants of Zagreb adopt dolls,” Vecernji list, July 16, 2002 Bilic, A .,“Talking Monuments,” Vecernji list, July 15, 2002
Zagreb Obiteljski, Radio Interview, July 14, 2002
“Cecilia Mandrile Argentineast,” Interview, Eesti Ekspress, September 20, 2001 Radio Interview, BBC World, London, March 2001
Molas, Verónica, “La gráfica circular de Cecilia Mandrile,” La Voz del Interior, March 10, 2002
“Gasworks goes International,” A-n magazine, February 2001 Vallejos, Soledad, “Trilingüe,” Pagina 12, December 8, 2000
Molas, Verónica, “Reconstruir con lo que aun tiene vida,” La Voz del Interior, May 21, 2000 Mattoni, Silvio, “El Silencio en las manos de Cecilia Mandrile,” Catalogue, May 2000 Molas, Verónica, “En el principio era la nada,” La Voz del Interior, July 29, 1999
Mattoni, Silvio,”Juguetes en una noche de lluvia,” Artinf, Winter 1998
Ingram Allen, J., “Changing Alternative Spaces,” (illustration) Sculpture Magazine 17.8, October 1998 McGough, Laura, “Excavation,” Washington Review, June-July 1998
Iglesias, Analía, “Creación sin frontera,” La Voz del Interior, July 4, 1998
Isaak, J. A and J. Silverthorne, “Maryland Art Place: Critics’ Residency Program,” Washington Review, April-May 1998
Clark, Yourtee, “The Body in Exile,” Washington Review, April-May 1998 Wagner, Kathy, “Light Burdens,” Washington Review, April-May 1998
Candiani, Alicia, “En América Latina y el Caribe: La apropiación de la imagen digital en el contexto hemisférico,” Symposium on Latin American and Caribbean Printmaking, XII Bienal de San Juan del Grabado Latinoamericano y del Caribe, 1998/ IMPACT Conference Catalogue. Bristol, UK, 1999
Cullum, Jerry, “Emigré life takes multiple forms,” The Atlanta Journal, February 21, 1997 Byrd, Cathy, “Latina Artist: Multiple Visions,” ArtPapers, May-June 1997
LECTURES & TALKS
2023 St. John’s University, New York, USA.
2021 The Alien Element: Identity & Integrity. Coral Gables Museum, Miami, USA
2020 Estonian Art Academy (EKA), Estonia.
2019 New York Public Library. Talking Poetics Series, New York, USA
Bryn Mauer College, Philadelphia, USA
Fernando Bonfiglioli Fine Arts Museum, in conversation with curator Carina Cagnolo, Argentina
2018 Emilio Caraffa Fine Arts Museum. Córdoba, Argentina
Zona Imaginaria. Buenos Aires, Argentina
Art & Design department. MFA Program. University of the West of England, Bristol, UK
2016 104th CAA Annual Conference, Washington DC. Session Panel Organizer and Chair.
Print Department. St. John’s University, New York, USA.
2015 103rd CAAAnnual Conference, New York City. Panelist
OpenEngagementInternationalConference.CarnegieMellonUniversity,Pittsburgh, USA
Five Points Gallery. Torrington, CT.
2014 Art & Education MA Program. Universidad Autonoma de Madrid, Spain
Art Department. National University of Córdoba, Argentina
Media Library Auditorium. Conversation with Graciela Sacco. Villa Maria, Córdoba, Argentina
MFA Print Program. University of the West of England/ Camberwell College of Arts, UK
Arten Gallery. Conversation with Judit Sarosdy. Budapest, Hungary.
2013 Genaro Perez Museum, Córdoba. Argentina.
2012 Seminar: Art and Multicultural Education. InterUniversity Master Program in Art and Education,
University of Girona, Spain
Seton Art Gallery, University of New Haven, CT , USA
A-Lab Forum: DOCUART. Queens Media Art Labs, New York, USA
2010 Zona Imaginaria Studios. Buenos Aires, Argentina
2008 Centro Cultural España-Córdoba. Argentina. 2007 Montclair State University, New Jersey, USA
2006 Prints on the Run Symposium. Conversation with Rosie Miles. Victoria &Albert Museum, London, UK
2005 Poli/Grafica Symposium. Triennial of Latin American and the Caribbean Art, San Juan, Puerto Rico.
Faculty of Art. University of Massachusetts, Amherst, USA.
2003 Kunstihoone Gallery, Tallinn, Estonia
2000 Bristol School of Art, Media &Design, University of the West of England, Bristol, UK
Gasworks Art Gallery, London, UK
1999 Casa de las Américas, Havana, Cuba
Panel Chair, Digital Printmaking in the Context of Contemporary Graphic Arts,
International Forum on Graphic Arts, Museo del Grabado, Buenos Aires, Argentina
1998 Art Department, University of Maryland at College Park, USA
1998 Art Department. National University of Cordoba, Argentina
JURY MEMBER / CURATORIAL / ADVISING
2019-23 Co-curator. The World is a Handkerchief. Traveling International Collaborative Exhibition.
2018-19 Member. The Engaged Surface. Transatlantic Research Network. Centre for Fine Print Research.
Universityof the West of England, UK
2017-19 Board Member. Lehman College Art Gallery. CUNY. New York, USA
2013-18 Academic Committee Member. IMPACT International Print Conference Committee.Centre for Fine Print
Research/Universityof the West of England, UK
2009-14 International Member. Zona Imaginaria Residency and Community Project. Buenos Aires, Argentina
2011-12 International Member of Editorial Board. EARI (Research Publication on Artistic Education) Instituto
Universitario de Creatividad e Innovaciones Educativas, Universitat de València, Spain.
2009-14 International Project Advisor. Artists Residency Who can live in this House. Argentina
2008 Mirrored Images. Guest curator. New Jersey Printmaking Council. 2007
International Jury Member. Tallinn Print Triennial. Tallin, Estonia.
Curator. Graphic Evidence: printmaking exhibition of Dar Al Hekma Students for 30 Days,
International Print Project in Olot, Spain
2006 Curator. NYIT Amman Computer Graphics students’ participation at Sense of Place.
International Print Portfolio. Bristol School of Art, Media & Design, University of the West of England, UK.
Curator of projects, Advisor and Coordinator. NYIT Amman Computer Graphics students’ participation
at SOURCE (Symposium of Undergraduate Research of Creative Expression). NYIT, Manhattan campus, USA
Visiting Advisor. MFA Printmaking students. Royal College of Art, London, UK
2005 Curator. NYIT Amman Computer Graphics students’ participation at Clever Boxing International exhibition.
Bristol School of Art, Media & Design, University of the West of England, UK
PUBLICATIONS
The World is a Handkerchief. Impact Press, Bristol, UK. Essay by Gill Saunders, 2019
Transplant. Essays by Carinna Parraman, Cecilia Mandrile, Tom Mc Donagh, Sonny Lightfoot and Niamh Fahy. Impact Press, Bristol, UK, 2020
Latitude. Essay by Lina Meruane. Impact Press, Bristol UK, 2018
OneOther/UnOtro. Essay by Ola ElKhalidi. Impact Press, Bristol UK,2015
Solitaire. Essay by Gill Saunders.ImpactPress, Bristol,UK,2014
Cecilia Mandrile : El Perfume de la Ausencia/ The Perfume of Absence. Bilingual monograph publication. Essays by
Gill Saunders, Federico Falco, Elvis Fuentes, Yuneikis Villalonga and IbrahimNasrallah. Museo Genaro Perez, Córdoba, Argentina,2013
COMMISSIONED VISUAL PROJECTS AND ARTICLES FOR PUBLISHING
2014 Jose Luis Cuevas: El Dibujante Constante. Critical Essay. Museu d’Art de Girona, Spain
(Non) Graphic Images of Violence: A Studio Conversation with Andrew Super & Paul Laidler.
Grabado & Edición. Issue 42. Madrid.
2013 UnOtro. Latifundi: 2 ciudades y un lugar imaginario. Ed. Vayreda, M., E. Vendrell and J. Vallés.
Olot: Institut de Cultura, 2013. 128-130 ISBN: 978-84-938058-9-0
2012 Design Award. Ladies First Concert. Bohemian National Hall. New York City.
Cover Design. Not a leg to stand on. Meruane, Lina. Díaz Grey Editores, New York, 2012. ISBN 978-956-9101-03-8
2010 Quebranto. Diccionario. Revista de letras. Año 3 Nro 9. Córdoba. Invierno 2010 ISSN 1851-2534
2009 Parabrisas. International dialogue between artists and writers. http://www.lucasdipascuale.com.ar/Parabrisas/parabrisasec.pdf
2007 ID_Intensively Displaced. /seconds: Things That Move. Issue 6 ISSN 1751-4134.
2006 Cover illustration. Another Publication. Institute for Postgraduates Studies and Research.
Willem de Kooning Academy. Hogeschool, Rotterdam , The Netherlands. ISBN 978-3-86588-375-9
2005 Passing and Remaining. A perpetual Portfolio. Impact Press, Bristol, UK. ISBN 0-9547025-0-6
PLAC II: ‘Print Language As Content II’. Limited edition Portfolio. School of Art and Art History,
University of Iowa, USA
TEACHING /ACADEMIC EXPERIENCE
2008-Present
Lecturer of Art. Art & Design Department, University of New Haven
Courses taught: 2D & 3D Foundations, Color, Intro to Art & Printmaking, Intro to Computer Graphics, Sculpture I
Independent Studies
2013-14
Research Fellow/ Guest Lecturer. Centre for Fine Print Research.
University of the West of England. Bristol, United Kingdom.
2007-08
Assistant Professor/Acting Director Graphic Design Program.
Dar Al-Hekma College, Jeddah, Saudi Arabia
Courses taught: Printmaking/ Exhibition Design
2005-06
Digital Arts Program Coordinator/Full Time Faculty
New York Institute of Technology. Amman Campus, Jordan.
Courses taught: Printmaking, Computer Graphics, 2D & 3D Foundations
1999-2008
Adjunct Professor, University of New Haven Program in Riyadh, Saudi Arabia.
Courses taught: Computer Graphics, Intro to Digital Art
2000
Lecturer/ Workshop. Ludwig Foundation of Cuba, Havana, Cuba.
Digital Printing applied to Objects and Installation work
1997- 1998
Adjunct Professor, University of Maryland at College Park.
Printmaking; Drawing
1996
Teaching Assistant, University of Maryland at College Park.
Painting; Drawing, 2D Foundations
1993-95
Full time Faculty. Aguas de la Cañada College of Design, Cordoba, Argentina.
Courses taught: Drawing; 2D foundations, Printmaking, Papermaking.
1992-94
Teaching Assistant, National University of Cordoba, Argentina.
Printmaking III
1988-91
Undergraduate Teaching Assistant, National University of Cordoba, Argentina
Printmaking I
1990
Art Instructor. Instituto Secundario Bernardino Rivadavia, Cordoba, Argentina
© 1995-2024_Cecilia Mandrile